Figure 1: The Bajón Grande being played2
Figure 2: Resonating tubes of the Bajón Grande
Figure 3: One of the mouthpieces which are blown into at the top of the tubes
Figure 4: The faceplate, which began as a cubec
Figure 5: One of the tubes, textured
Figure 6: The bamboo mat texture I used for the bark wrappings of the Bajón Grande
Figure 7: Using the “Wood” texturing tool on a Lambert surface allowed me to get the texture of carved and sanded wood
Figure 8: I also used the “Wood” texture tool for the faceplate
Figure 9: The final textured model of the Bajón Grande
Figure 10: Settings used for the Bajón Grande patch in Apple’s Sculpture synthesizer